The palette of religious painting sits in the lower register of the value scale - dense, contained, and weighted. Warm hues command this palette; it favours the reds, oranges, and yellows of firelight and earth. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. 38.8% of the palette belongs to #110E0E, a concentration that makes it the unmistakable visual centre. #D7AE6F delivers the chromatic peak at only 1.6% - a small shot of colour with outsized visual impact. From deepest dark to palest light, the palette traverses 63 units of the value scale - a span that creates natural depth. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere.