The high-key values of religious painting give it an effulgent, almost bleached quality. Yellow, ochre, sienna: warm hues deployed as the palette's primary energy. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #E1D3C2 - appears at just 10.5%, deployed as a precision accent against the quieter ground. A value spread of 56 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light.