religious painting distributes its values across the middle register, creating harmony without high contrast. Warmth dominates - the palette leans heavily on the yellow-orange-red arc of the colour wheel. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Only 4.2% is devoted to #CE984F, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 57 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light.