The value structure of religious painting is mid-key: quiet, controlled, and cohesive. Warm hues command this palette; it favours the reds, oranges, and yellows of firelight and earth. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. #BFA382 functions as the palette's exclamation mark: highest chroma, lowest percentage (5.2%). Spanning 53 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation.