religious painting sits in the centre of the value range, lending the palette a sense of even, sustained light. Temperature reads distinctly warm: the reds and earth tones carry the compositional weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #C9AA7A, is reserved to 7.1% of the surface, where it acts as a focal punctuation. 67 units of value range underpin the palette's structural clarity: the eye always knows where light falls.