Values in religious painting rest in the mid-range - neither dramatically lit nor steeped in shadow. Temperature reads distinctly warm: the reds and earth tones carry the compositional weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The saturated accent, #9A4932, registers at 4.1% - sparse enough to feel like a deliberate surprise. A value spread of 56 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light.