Tenebrism works almost entirely in the lower half of the value scale, privileging depth over brilliance. The palette orchestrates warmth above all else - reds, ambers, and siennas take the lead. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The palette gives 27.9% of the composition to a single #1D1612 - a decisive chromatic anchor. The most saturated colour, #D6A14D, is reserved to 1.8% of the surface, where it acts as a focal punctuation. The value range spans 56 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. Together these qualities place the palette firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display.