Darkness anchors Tenebrism; light is rationed, creating dramatic contrast rather than open air. Warmth dominates - the palette leans heavily on the yellow-orange-red arc of the colour wheel. All colours lean toward grey, building depth through value rather than colour punch. #0E0C10 claims 38.8% of the surface, functioning as the work's tonal foundation. Only 4.1% is devoted to #572B1D, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 63 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. This tonal restraint is characteristic of the Tonalist sensibility: colour serves light, not the reverse.