flower painting is built on dark foundations, with values clustered toward shadow. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. All colours lean toward grey, building depth through value rather than colour punch. 32.1% of the palette belongs to #150F0F, a concentration that makes it the unmistakable visual centre. The saturated accent, #9B4230, registers at 2.6% - sparse enough to feel like a deliberate surprise. From deepest dark to palest light, the palette traverses 67 units of the value scale - a span that creates natural depth. This tonal restraint is characteristic of the Tonalist sensibility: colour serves light, not the reverse.