The value structure of flower painting is mid-key: quiet, controlled, and cohesive. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Chroma is held at a comfortable level - distinct colours, but no single hue is allowed to overwhelm. The saturated accent, #C5A241, registers at 6.3% - sparse enough to feel like a deliberate surprise. At 49 units across the value scale, the palette keeps contrast readable without letting it dominate. The palette reads as an Impressionist one - light-biased, chromatically direct, and built on temperature contrast rather than value opposition.