Mid-key values give flower painting its characteristic quietness - nothing blazes, nothing disappears. Temperature reads distinctly warm: the reds and earth tones carry the compositional weight. Chroma is aggressively high - pure, unmodulated colour treated as a structural force in its own right. #B8280A claims 30.6% of the surface, functioning as the work's tonal foundation. The most saturated colour, #F1C14A, covers 4.0% of the surface: too much to call an accent, too strong to ignore. Value range is moderate at 53 units - enough contrast for legibility, not so much as to fragment the tonal unity.