flower painting distributes its values across the middle register, creating harmony without high contrast. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. Only 12.0% is devoted to #B39D3D, yet that small allocation delivers the palette's entire chromatic tension. Value range is moderate at 51 units - enough contrast for legibility, not so much as to fragment the tonal unity. Together these qualities point to the open-air Impressionist method: recording light rather than local colour.