Mid-key values give Hieronymus Bosch its characteristic quietness - nothing blazes, nothing disappears. Warm hues command this palette; Hieronymus Bosch favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #C3A574, is reserved to 9.1% of the surface, where it acts as a focal punctuation. The value range spans 57 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. In the context of Hieronymus Bosch's full range of palettes, group 7 represents one movement in an ongoing chromatic dialogue.