Baroque distributes its values across the middle register, creating harmony without high contrast. Warm hues command this palette; it favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. 25.7% of the palette belongs to #201612, a concentration that makes it the unmistakable visual centre. Only 10.4% is devoted to #652A16, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 59 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light.