Baroque dwells firmly in the shadows, with no more than a whisper of light. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. All colours lean toward grey, building depth through value rather than colour punch. At 56.8%, #110E0E functions less as a colour accent and more as a complete atmospheric environment. #DAC49F functions as the palette's exclamation mark: highest chroma, lowest percentage (1.2%). A value spread of 66 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. This tonal restraint is characteristic of the Tonalist sensibility: colour serves light, not the reverse.