William Bradford occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Yellow, ochre, sienna: warm hues that William Bradford deploys as the palette's primary energy. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #CB6430, is reserved to 5.9% of the surface, where it acts as a focal punctuation. At 57 units of value range, the palette has the tonal breadth to sustain complex spatial readings. This is the light William Bradford preferred, made measurable.