Romanticism sits in the centre of the value range, lending the palette a sense of even, sustained light. The palette tilts toward cool - blues and silver-greys carry the structural weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. Only 8.6% is devoted to #D4C6A7, yet that small allocation delivers the palette's entire chromatic tension. At 58 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.