The high-key values of Romanticism give it an effulgent, almost bleached quality. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #755A40 - appears at just 6.0%, deployed as a precision accent against the quieter ground. At 61 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.