John Frederick Kensett sits in the centre of the value range, lending the palette a sense of even, sustained light. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #433320, is reserved to 13.2% of the surface, where it acts as a focal punctuation. The value range spans 71 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette is recognisably John Frederick Kensett's own: particular in its temperature, chroma, and the economy of its brightest note.