John Frederick Kensett occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. #524A2C functions as the palette's exclamation mark: highest chroma, lowest percentage (12.4%). A value spread of 75 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. This is palette 8 of John Frederick Kensett's sequence - a single chapter in a chromatic story told across many works.