The high-key values of John Frederick Kensett give it an effulgent, almost bleached quality. Cool tones set the register here - the blues and greens easily outweigh any warm accents. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The highest-chroma note - #7C6838 - appears at just 4.7%, deployed as a precision accent against the quieter ground. A value spread of 56 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 2 of John Frederick Kensett's sequence - a single chapter in a chromatic story told across many works.