John Frederick Kensett is strongly light-biased - shadow is suggested rather than declared. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. All colours lean toward grey, building depth through value rather than colour punch. Only 5.1% is devoted to #5A441A, yet that small allocation delivers the palette's entire chromatic tension. From deepest dark to palest light, the palette traverses 73 units of the value scale - a span that creates natural depth. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. In the context of John Frederick Kensett's full range of palettes, group 4 represents one movement in an ongoing chromatic dialogue.