James Tissot occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature reads distinctly warm: the reds and earth tones from James Tissot carry the compositional weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Only 2.6% is devoted to #916E43, yet that small allocation delivers the palette's entire chromatic tension. At 43 units across the value scale, the palette keeps contrast readable without letting it dominate. Palette 6 sits within the larger chromatic argument that James Tissot's complete body of work advances.