James Tissot occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Yellow, ochre, sienna: warm hues that James Tissot deploys as the palette's primary energy. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #7A5141, is reserved to 3.8% of the surface, where it acts as a focal punctuation. At 41 units across the value scale, the palette keeps contrast readable without letting it dominate. James Tissot's palette 10 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.