Values in Thomas Eakins rest in the mid-range - neither dramatically lit nor steeped in shadow. Yellow, ochre, sienna: warm hues that Thomas Eakins deploys as the palette's primary energy. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #3E1B10, is reserved to 11.3% of the surface, where it acts as a focal punctuation. At 47 units across the value scale, the palette keeps contrast readable without letting it dominate. Palette 14 sits within the larger chromatic argument that Thomas Eakins's complete body of work advances.