Mary Lizzie Macomber is built on dark foundations, with values clustered toward shadow. Yellow, ochre, sienna: warm hues that Mary Lizzie Macomber deploys as the palette's primary energy. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. Only 4.7% is devoted to #380C0E, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 56 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Mary Lizzie Macomber's palette 4 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.