Mary Lizzie Macomber dwells firmly in the shadows, with no more than a whisper of light. Warm hues command this palette; Mary Lizzie Macomber favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. #18140F at 33.2% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. #382114 delivers the chromatic peak at only 4.6% - a small shot of colour with outsized visual impact. At 35 units across the value scale, the palette keeps contrast readable without letting it dominate. This tonal restraint is characteristic of the Mary Lizzie Macomber approach: colour serves light, not the reverse. Palette 5 sits within the larger chromatic argument that Mary Lizzie Macomber's complete body of work advances.