Mid-key values give Konstantin Cretius its characteristic quietness - nothing blazes, nothing disappears. Warm hues command this palette; Konstantin Cretius favours the reds, oranges, and yellows of firelight and earth. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The most saturated colour, #B49E6D, is reserved to 2.1% of the surface, where it acts as a focal punctuation. A value spread of 56 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. In the context of Konstantin Cretius's full range of palettes, group 6 represents one movement in an ongoing chromatic dialogue.