John Frederick Lewis sits in the centre of the value range, lending the palette a sense of even, sustained light. Temperature is balanced: the palette pits warm earth against cool sky without declaring a winner. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #442C15 - appears at just 7.2%, deployed as a precision accent against the quieter ground. The value range of 41 units sits in the comfortable middle: enough depth, enough light, neither extreme. In the context of John Frederick Lewis's full range of palettes, group 9 represents one movement in an ongoing chromatic dialogue.