John Frederick Lewis keeps values measured and balanced, a hallmark of tonal restraint. John Frederick Lewis orchestrates warmth above all else - reds, ambers, and siennas take the lead. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. The highest-chroma note - #EACCA4 - appears at just 9.0%, deployed as a precision accent against the quieter ground. The palette spans 54 value units: a measured range that delivers coherence over drama. Palette 3 sits within the larger chromatic argument that John Frederick Lewis's complete body of work advances.