Jean-Francois Millet keeps values measured and balanced, a hallmark of tonal restraint. Temperature is cool-dominant, with blue and green families claiming the largest areas. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #82773B - appears at just 6.4%, deployed as a precision accent against the quieter ground. 48 units of value spread create a palette that is varied but unified - contrast in the service of harmony. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 4 of Jean-Francois Millet's sequence - a single chapter in a chromatic story told across many works.