The value structure of Jean-Francois Millet is mid-key: quiet, controlled, and cohesive. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Only 3.3% is devoted to #D8C475, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 57 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 6 sits within the larger chromatic argument that Jean-Francois Millet's complete body of work advances.