Darkness anchors Jean-Francois Millet; light is rationed, creating dramatic contrast rather than open air. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. A single dominant - #181415 at 33.1% - sets the character of the whole composition. At 2.3%, #DDC384 carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. The value range spans 62 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 11 sits within the larger chromatic argument that Jean-Francois Millet's complete body of work advances.