The value structure of James Taylor Harwood is mid-key: quiet, controlled, and cohesive. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. Only 3.1% is devoted to #B6A582, yet that small allocation delivers the palette's entire chromatic tension. Value range is moderate at 32 units - enough contrast for legibility, not so much as to fragment the tonal unity. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 4 of James Taylor Harwood's sequence - a single chapter in a chromatic story told across many works.