Hendrick Avercamp is high-key - luminous, open, and weighted toward light. Hendrick Avercamp tilts toward cool - blues and silver-greys carry the structural weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. #BDB390 functions as the palette's exclamation mark: highest chroma, lowest percentage (7.4%). At 74 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that Hendrick Avercamp's complete body of work advances.