Alfred Stannard is strongly light-biased - shadow is suggested rather than declared. Cool tones set the register here - the blues and greens easily outweigh any warm accents. All colours lean toward grey, building depth through value rather than colour punch. The highest-chroma note - #433429 - appears at just 1.8%, deployed as a precision accent against the quieter ground. A value spread of 58 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. In the context of Alfred Stannard's full range of palettes, group 1 represents one movement in an ongoing chromatic dialogue.