Hans Memling keeps values measured and balanced, a hallmark of tonal restraint. Warm hues command this palette; Hans Memling favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #A2453A - appears at just 5.1%, deployed as a precision accent against the quieter ground. 63 units of value range underpin the palette's structural clarity: the eye always knows where light falls. This is palette 13 of Hans Memling's sequence - a single chapter in a chromatic story told across many works.