Hans Memling dwells firmly in the shadows, with no more than a whisper of light. Warmth dominates - the palette of Hans Memling leans heavily on the yellow-orange-red arc of the colour wheel. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. 27.3% of the palette belongs to #160F10, a concentration that makes it the unmistakable visual centre. #E6D2C0 functions as the palette's exclamation mark: highest chroma, lowest percentage (3.1%). From deepest dark to palest light, the palette traverses 70 units of the value scale - a span that creates natural depth. This tonal restraint is characteristic of the Hans Memling approach: colour serves light, not the reverse. Palette 12 sits within the larger chromatic argument that Hans Memling's complete body of work advances.