Hans Memling distributes its values across the middle register, creating harmony without high contrast. Warm hues command this palette; Hans Memling favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #D4A679 - appears at just 7.0%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 69 units of the value scale - a span that creates natural depth. This is palette 10 of Hans Memling's sequence - a single chapter in a chromatic story told across many works.