Gerard David dwells firmly in the shadows, with no more than a whisper of light. Gerard David orchestrates warmth above all else - reds, ambers, and siennas take the lead. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #1C1A19 claims 36.3% of the surface, functioning as the work's tonal foundation. The most saturated colour, #C99461, is reserved to 1.8% of the surface, where it acts as a focal punctuation. At 49 units across the value scale, the palette keeps contrast readable without letting it dominate. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. Palette 8 sits within the larger chromatic argument that Gerard David's complete body of work advances.