Mid-key values give Gerard David its characteristic quietness - nothing blazes, nothing disappears. Warm and cool are kept in productive tension, creating the kind of chromatic harmony that sustains the eye. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The most saturated colour, #A47D4A, is reserved to 9.6% of the surface, where it acts as a focal punctuation. A value spread of 73 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. Palette 1 sits within the larger chromatic argument that Gerard David's complete body of work advances.