Georges de la Tour dwells firmly in the shadows, with no more than a whisper of light. Georges de la Tour orchestrates warmth above all else - reds, ambers, and siennas take the lead. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. At 32.3%, #0C0305 functions less as a colour accent and more as a complete atmospheric environment. Only 3.6% is devoted to #9A4231, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 60 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. This tonal restraint is characteristic of the Georges de la Tour approach: colour serves light, not the reverse. This is palette 9 of Georges de la Tour's sequence - a single chapter in a chromatic story told across many works.