Georges de la Tour is built on dark foundations, with values clustered toward shadow. Warmth dominates - the palette of Georges de la Tour leans heavily on the yellow-orange-red arc of the colour wheel. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #1C1819 claims 36.1% of the surface, functioning as the work's tonal foundation. The saturated accent, #DD8A20, registers at 0.9% - sparse enough to feel like a deliberate surprise. At 67 units of value range, the palette has the tonal breadth to sustain complex spatial readings. Together these qualities place Georges de la Tour firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display. This is palette 6 of Georges de la Tour's sequence - a single chapter in a chromatic story told across many works.