Georges de la Tour works almost entirely in the lower half of the value scale, privileging depth over brilliance. Yellow, ochre, sienna: warm hues that Georges de la Tour deploys as the palette's primary energy. All colours lean toward grey, building depth through value rather than colour punch. The saturated accent, #DEBDA2, registers at 2.1% - sparse enough to feel like a deliberate surprise. A value spread of 65 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. In the context of Georges de la Tour's full range of palettes, group 5 represents one movement in an ongoing chromatic dialogue.