Values in Georges de la Tour rest in the mid-range - neither dramatically lit nor steeped in shadow. Georges de la Tour keeps warm and cool in parity, a balance that lends the work a perceptual shimmer. Mid-saturation across the board: the palette has colour character without chromatic excess. The chromatic peak belongs to #923718, and at 23.8% it dominates, not decorates. A value spread of 69 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues. This is palette 4 of Georges de la Tour's sequence - a single chapter in a chromatic story told across many works.