Edward Burne-Jones dwells firmly in the shadows, with no more than a whisper of light. Yellow, ochre, sienna: warm hues that Edward Burne-Jones deploys as the palette's primary energy. All colours lean toward grey, building depth through value rather than colour punch. Only 2.5% is devoted to #D7C39D, yet that small allocation delivers the palette's entire chromatic tension. 68 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. In the context of Edward Burne-Jones's full range of palettes, group 14 represents one movement in an ongoing chromatic dialogue.