Edward Burne-Jones distributes its values across the middle register, creating harmony without high contrast. Edward Burne-Jones tilts toward cool - blues and silver-greys carry the structural weight. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The highest-chroma note - #DBB275 - appears at just 6.5%, deployed as a precision accent against the quieter ground. The value range spans 61 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 5 of Edward Burne-Jones's sequence - a single chapter in a chromatic story told across many works.