Edward Burne-Jones keeps values measured and balanced, a hallmark of tonal restraint. Warm hues command this palette; Edward Burne-Jones favours the reds, oranges, and yellows of firelight and earth. Saturation is measured and controlled, giving the palette presence without visual aggression. The highest-chroma note - #CEA756 - appears at just 5.4%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 56 units of the value scale - a span that creates natural depth. Palette 10 sits within the larger chromatic argument that Edward Burne-Jones's complete body of work advances.