Early Renaissance keeps values measured and balanced, a hallmark of tonal restraint. The palette orchestrates warmth above all else - reds, ambers, and siennas take the lead. Colours are neither washed out nor blazing; they occupy the productive middle ground of the chroma scale. The most saturated colour, #D7B272, is reserved to 7.9% of the surface, where it acts as a focal punctuation. The full value range is 62 units: broad enough to build convincing three-dimensional form.