Early Renaissance dwells firmly in the shadows, with no more than a whisper of light. The palette orchestrates warmth above all else - reds, ambers, and siennas take the lead. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. #140F0E claims 39.4% of the surface, functioning as the work's tonal foundation. The highest-chroma note - #7F5631 - appears at just 5.7%, deployed as a precision accent against the quieter ground. 62 units of value range underpin the palette's structural clarity: the eye always knows where light falls. This tonal restraint is characteristic of the Tonalist sensibility: colour serves light, not the reverse.